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In 1924, Boreham revealed his awareness of this disconnection and justified his commitment to “a certain detachment,” saying this was a mark of “classical poetry.”[1] His publishing demands and the desire that his writing did not “embalm the spirit of a particular period” were understandable but resulted in a major detachment from the time and place of his readers. This move limited the freshness and directness of his editorial conversation and weakened the prophetic element in his writings.
Geoff Pound
Image: The Armadale Church, Melbourne.
[1] Boreham, Mercury, 5 April 1924.